Special Award

After the recent performances of Tondal’s Vision at the Edinburgh International Festival, Dialogos has been awarded on August 29th an "Edinburgh Herald Angel Award", celebrating and rewarding the best of the festival’s performers.

"As an aural and visual experience it was one of the most moving events of this year's Festival."
The Herald

Tondal's Vision

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Tondal's Vision
Music of Dalmatian traditional and medieval cantors
Programme for six womens' voices with staging

Tondal's Vision, the story of an unconscious man whose soul quits his body, was one of the most popular visionary stories of the 12th century, like a premeditation for Dante's Divina Commedia. In this mysterious text, the soul – visiting hell guided by the voice of an unknown angel – gets lost on narrow paths and crosses bridges in darkness before returning to its body. This sojourn on the other side of death, which seems endless to Tondal, lasts clinically only the time of the winking of an eye, and it faces us with the strange question that Tondal constantly repeats to the angel: 'For how long a time was I dead?'. The Croatian collection Vartal, written in the 16th century for a female Benedictine community on the Dalmatian coast, is a very faithful translation of this vision.

Tondal's Vision

We hear very dissonant Glagolitic polyphony in the context of much softer repertoires from the south of Dalmatia, Gregorian melodies and latin polyphony coming from the localities where Tondal's Vision was translated and performed. A staging by Sanda Hržić, in collaboration with Yoshi Oida (one of Peter Brook's principal actors), puts the Vision in a new context where faces and music contribute to create very pure and expressive images.

This programme was first performed at the Utrecht festival in 2002 and was recorded for the label Arcana. It received the prestigious award Diapason d'or de l'année 2004. The inherently 'multi-lingual' character of medieval Croatian music and language allows us to wonder about the conventional distinctions that arbitrarily separate medieval, traditional and contemporary music.

 

Programme with super-titles

Voices: Marie Barenton, Laura Gordiani, Katarina Livljanić, Lucia Nigohossian, Sandrah Silvio, Sylvie Špehar Vučić / Aino Lund Lavoipierre

Staging: Sanda Herzic
Artistic advisor: Yoshi Oida

MUSICAL SAMPLES

Salve regina
(MP3, 1:22, 563 KB)

Zač noge tvoje sada u tanci ne igraju ?
(MP3, 1:18, 533 KB)

 

PRESS CLIPPING

In a reinvented musical language, between plain-chant, readings, traditional melodies and simple polyphonies (full of unexpected intervals), seven singers with superb voices and a rare commitment, carry us on a visionary voyage through time and space… to the other-side. Remarquable!

Diapason

More ››

 

CONCERTS

• 6 February 2012
Bouffes du Nord, Paris, France, 20:30
Programme: excerpts from Judith (in the framework of the presentation Printemps des Arts de Montecarlo)
www.bouffesdunord.com

• 11 February 2012
Bozar Bruxelles, Belgium, 20:00
Programme: Barlaam & Josaphat
www.bozar.be

• 14 February 2012
Kasteel Ammerzoyen Ammerzoden, Netherlands, 20:15
Programme: Barlaam & Josaphat
www.kasteel-ammersoyen.nl

• 15 February 2012
Huis Bergh's Heerenberg, Netherlands, 20:
Programme: Barlaam & Josaphat
www.huisbergh.nl

• 17 February 2012
Vredenburg Leeuwenbergh Utrecht, Netherlands, 20:
Programme: Barlaam & Josaphat
www.vredenburg.nl

• 18 February 2012
Waalse Kerk Leeuwarden, Netherlands, 20:15
Programme: Barlaam & Josaphat
http://oudemuziek.bo9.nl

• 19 February 2012
Stichting laurenskerk Rotterdam, Netherlands, 20:30
Programme: Barlaam & Josaphat
www.laurenskerkrotterdam.nl